From the moment you walk in, Jess and Nick insist that you feel at home. Straddling the line between theatre and cabaret, this clever and well-written little piece explores the way we use words and how they can shape us and our interactions, so that welcome is highly strategic.
They insist it’s a play, but with a static set, audience engagement beginning before they kick off, and interjections on the way through, cabaret seems a more appropriate descriptor. The truth is it defies labels, but draws the audience into a conversation between two co-workers, chews up their sense of semantic signification, and spits it back at them unceremoniously.
Whether the use of audience involvement (yes they dragged me up the front) really works or not, I am unsure. On one hand, it stilts the third character: but at the same time, the irony of using someone unfamiliar with the material to deliver the most articulate assessment of the theme in a manner that is highly verbose and completely impenetrable, is a delicious irony. And I’m a big fan of irony.
If you happen to be fringeside, check them out.