RSS

Pygmalion

04 Oct

Busy as I am, I took the last chance I would have to see Canberra Repertory’s Pygmalion, and I am glad I did. Living up to their excellent reputation, Rep presented a thoughtful and challenging piece of theatre.

Often, a great set and spectacular costumes simply make the performers look dull, as happened with Opera Australia’s My Fair Lady, but not so in this case. A beautifully modern set, clearly a product of 21st century mentality, served as a symbolic gesture to this early 20th century story, complementing the costumes beautifully; and the cast earned every part of it.
As always, accents are a problem with this story. Accents are a difficult thing in theatre, and Shaw does no one any favours by writing a play that is absolutely centred on accent. Jessica Brent’s Lisson Grove dialect was acceptable, and her recieved pronunciation was appropriately awkward. Other characters, however, had no excuse for sounding stilted. The production, nonetheless, survives its slowness, the pathos of Shaw’s characters shining through in the second act just as it should, and the awkwardness of Shaw’s ending was deftly handled.
I really liked this production. Maybe I was just relieved that the cast had taken the time to understand the characters, unlike the cast of My Fair Lady. It was slow, but didn’t drag. It was awkward, but even that was appropriate. In all, a great show.
 
Leave a comment

Posted by on Saturday, 4 October 2008 in Canberra Repertory Society, Canberra Theatre, Theatre

 

Tags: , , , , , , , , , , , , ,

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s