It’s truly inspiring when a design just breathes new life into an old script. Michael Hankin’s design for this production has as much to do with its success as the brilliant performers who embody Tennessee Williams’ dark and soulful characters.
Like Shakespeare did so many times, Williams has landed on some truly universal human themes. No matter how far removed from the American south we might be, we recognise the mother whose concern for her children and whose disappointment in her own life leads her to place unreasonable pressure on her son and fail to recognise when her daughter is overwhelmed. We recognise the futility of an existence that provides just enough comfort to persist with, but doesn’t offer enough hope to spur us to action.
Pamela Rabe’s portrayal of Amanda Wingfield, the faded southern belle, is energetic and ugly. She truly manages to balance portraying the caring mother with the desperately incompetent. This balance is in turn critical for Luke Mullins’ deeply moving portrayal of the hapless Tom.
Even at the point when Tom drags his mother to the floor and confronts her with her ugliness, it’s hard to criticise him. He bears her histrionics with patience until he no longer can, and we can only watch as their fate unfolds. All of these characters are worthy of both compassion and criticism. Victims of circumstance, their pursuit of their dreams is as valiant as it is futile.
This futility is beautifully presented by a truly exceptional cast, and demonstrated by the use of a set that isolates the action into an apartment that sits on the stage like a rigid box, then lets us inside with the use of cameras and screens, presenting images unmistakably reminiscent of Hollywood’s golden age. The melodrama, ironically undermined by drawing the audience’s attention to film techniques, holds a grain of truth that justifies the emotive excesses of the dialogue.
Perhaps it is simply the case that Laura’s life, spent obsessing over her long-gone father’s records and her collection of glass animals, is the most complete of them all, the interruptions of her family merely pointless intrusions on the only thing that brings her peace.