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The Seed

16 May


Iain Sinclair says in his director’s note for The Seedthat it is “one of those special pieces that help us see with fresh eyes”. I will assume he is right, but for someone who has had little contact with Vietnam veterans or the IRA, fresh eyes are a given. And in these wars, which are both in a way secreted failures, some of us still need more information.

The thing is that while a little more exposition would have helped, it would also meddle with a well-balanced plot. You can tell a story about one of the World Wars of the twentieth century and assume reasonable knowledge, but these conflicts are a mystery to most Australians, even those who continue to feel their impact on their lives. Of course, that’s why this story is so necessary.
The Seed, ultimately, is not so much about these conflicts as it is about how politics impacts individual lives and families. I find this fascinating, because we in Australia, and, ironically, especially those of us who live in Canberra, are largely unaffected by the goings on in Parliament House, and there are many Australians who never even consider that in some countries a change of government can turn people’s lives upside-down.
While I found it somewhat difficult to relate to the solid and resonant performances of this impeccable cast of three, I felt that this was more to do with my own ignorance of Vietnam and the Irish struggle. I hope in time that we will experience many more stories of the wars that have been fought and lost.
 
 

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