I was one of the privileged hundreds to get free tickets to Limelight Cinemas‘ preview of I Love You Too, with writer Peter Helliar in attendance. After some inane and worthless chatter from morning radio hosts Scotty and Nige, who ‘interviewed’ the rather more intelligent Peter Helliar, this unfortunate train-wreck of a film was underway. Perhaps ‘train-wreck’ is a little harsh; I think this film is more like a series of minor derailments, causing some mayhem on the commute to great Australian cinema.
The plot, although a little cliche, is nonetheless engaging, following the story of Jim, a commitment-phobic man in his early thirties who is threatened with losing his girlfriend. It suffers, however, from that age-old scourge of the comedian-writer; being interspersed with one-liners, which may be hilarious at the time, but seriously interrupt the progression of the plot. It is a problem that may have been resolved, had the writer been an unknown, but perhaps there wasn’t a dramaturge available who could confront Peter Helliar with the awful truth that some of these one-liners should have been ditched to protect the integrity of the narrative arc.
Australian film went through a period of producing only one genre of film. It was a cross between comedy and drama that worked very well for the period we were in, but our industry has matured, and our films are now more complex, influenced by a wider range of international cinema, and reflecting a more diverse Australia. I Love You Too does none of this. It harks back to a naive and self-centred Australia from sometime in the 1990s. It has some redeeming qualities, most notably its engaging plot, but it just doesn’t come together as a unified work, and is sorely disappointing.