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Bunbury is Dead

03 Aug

Disappointed twice in a week by productions that stem from Oscar Wilde’s The Importance of Being Earnest? I never thought it would be possible.

Bunbury is Dead is not really about the friend Algernon Moncrief makes up as an excuse for not performing his social duties in Wilde’s play, though the character does share much of Algernon’s DNA.

As the plot unravels, it is clear that Christopher Cutting’s script has a lot to offer. The concept is unique, new and engaging. Bunbury, a character who had to be created out of source material from Wilde’s plays, is every bit as strong as Wilde’s Algernon, and his butler is an equally fine creation. But just about all of the dialogue is borrowed from Wilde, and this I don’t understand.

The play is strong, and could be set in the 19th, 20th or 21st centuries perfectly well. The plot is relatable and the characters recognisable. Wilde’s words simply have nothing to offer here, and they become a distraction. As an inspiration for a lead, even Bunbury is perfect, but as far as I can tell, Cutting really doesn’t need Wilde’s help. The story would be more interesting without being interrupted by Wilde’s words.

It is unfortunate that this didn’t live up to its possibilities.

 
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Posted by on Sunday, 3 August 2014 in British Theatre, Theatre

 

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