This year, two films with names starting with the word paper have impressed me. I’m not sure what to make of that. I’m not even sure what I should make of the fact that two films with names starting with the word paper have been released this year. Nonetheless, it seems to be a good formula, because both of them are bloody brilliant.
Paper Towns is an American Indie film, and if there’s any negative generalisation you can make about American films, American Indie films are the exception that proves the rule. American films sacrifice plot intrigue for dramatic licence. American Indie films don’t. American films have superficial characters that barely even remind you of humanity. American Indie films don’t. American films make a lot of money at the box office. American Indie films don’t. Okay, that last one wasn’t negative, but you get my drift. Want to understand the American psyche? Spend some time with their Indie offerings and you’ll encounter the sweet, sour, ugly, beautiful soul of America.
Paper Towns delivers a deeply engaging plot centred on the protagonist’s crush on his neighbour, a girl who develops a habit of disappearing. It’s a kind of coming of age story, kind of a road movie, kind of romantic comedy, but, as with all good Indie films, it defies categorisation. Its characters really get under your skin. They’re characters you can really care about, drawn with such a fine verisimilitude that you don’t even notice the archetypes being presented. Antagonists, too, are never left to wallow in the audience’s antipathy, but they come to life as fully developed characters worth as much respect as protagonists, if not as much love. Stories like this are rare.
This is genuine storytelling. I have seen a lot lately that doesn’t quite engage me as I wish it would, but this just held me enthralled from beginning to end.