My first show at this year’s Edinburgh Festival Fringe was this rather intense exploration of the relationship between Wilfred Owen and Siegfried Sassoon. And after flying from San Francisco to Edinburgh and coming directly to the theatre, it’s an achievement not to be understated, that the play held my attention throughout.
The simple set being used for this fringe run works brilliantly, and provides excellent scope for the two performers to establish varied locations and times. Daniel Llewellyn-Williams, playing Sassoon, builds a strong presence in the early stages of the play, and transitions well to the rather more fragile Sassoon who reminisces at the end of the war. Iestyn Arwel, playing Owen, marks an inverse transition. It would be easy to dismiss the strength of his performance in the early stages, but the character is brilliantly established.
This is a strong piece exploring the relationship between two historical figures who were passionate about showing the horror, and not the glory of war. It is especially pertinent in the world’s current state, though it could perhaps draw a slightly longer bow into the present to ensure it doesn’t merely register as a history play.