RSS

Category Archives: Porchlight Films

The Hunter

Odd that I should pass the small band of faithful in Martin Place for ‘Occupy Sydney’ on my way to see The Hunter. Odd, because this film is an interesting take on the idea of a big faceless corporation hiring a hit-man to take care of some business. Only the victim in this case is not to be just one person but an entire species, and they don’t just want it dead, they want its DNA. Creepy, yes; and a great premise for a film. What a shame the script wasn’t better developed.

The Hunter doesn’t disappoint entirely. A strong storyline and some very interesting relationships develop. Despite some unfortunate stereotypes there is some genuine complexity in the fabric of the film, but The Hunter lacks any real character development. Now, I’m all in favour of plot-driven stories, but the plot in this film doesn’t move fast enough to carry well without stronger characters. The hunter himself, played by Willem Defoe, is two-dimensional and lacks any back story to justify his quiet demeanour. By the time he reaches the climax, we still don’t really know him. The vaguely heroine-like Lucy Armstrong doesn’t quite make it to romantic lead, but despite the lack of script development, Frances O’Connor does a great job of bringing her to life. Apart from the very engaging children, played by Morgana Davies and Finn Woodlock, the rest of the cast are just plot devices.

I still think there’s a lot to love about The Hunter. Tasmania’s wilderness is a landscape that was made to be a film set, much like Utah’s Monument Valley was, except the Tasmanian bush has mood swings. Really, what the characters lack is almost made up for by the bush, which certainly changes its mood more often than Willem Defoe does. I’m not just being flippant; the bush genuinely works for this film, and the cinematography is exceptional, which makes the poor script all that much more disappointing.

This one’s not worthy of a cinema screen, but it’s worth seeing when it comes to TV. And I really did like it.

 
Leave a comment

Posted by on Monday, 17 October 2011 in Australian Film, Film, Porchlight Films

 

Tags: , , , , , , , , , , , ,

Animal Kingdom

Animal Kingdom poses that age-old question about how many blood spatters are too many. I suspect that the creators were attempting to use blood spatters as a visual motif, as most of the spatters were of a similar consistency, evenly spread across a contrasting surface, but ultimately they just echoed the naff nature of the film generally.

There was a lot of potential here. After a slow start, the film did engage, and it did manage to take me to that serendipitous point at which you have to know what happens next, and the screening environment just melts away. A magnificent cast with a wealth of experience is admirably lead by newcomer James Frecheville. His treatment of the morose character he landed is remarkably compelling, and I think the cast is this film’s saving grace.

But overall, this is a truly disappointing film; not because it represents nothing of value, but because it really had a lot of potential that it didn’t live up to. An engaging story and some of Australia’s best actors are let down by a slow treatment in the editing suite and mundane cinematography. This one’s definitely worthy of a remake, perhaps even with the same cast, but it needs a more compelling treatment by the creative team.

 
Leave a comment

Posted by on Friday, 28 May 2010 in cultural cringe, Porchlight Films

 

Tags: , , , , , , , , , ,