To the extent that Americans love a good conspiracy theory, the Brits are equally keen on questioning the integrity of their Prime Minsters. Roman Polanski caters for both predilections in his magnificent new film, The Ghost Writer.
Ewan McGregor plays the titular character, a writer hired to massage the memoirs of a former British Prime Minister into shape following the mysterious death of another ghost writer. Gradually, and innocently (which is refreshing), he discovers a web of intrigue and finds himself reluctantly wrapped up in it, at his own peril.
However much I like this as a film, it’s the story, penned originally as a novel by Robert Harris, that I find so magnificently intriguing. Remaining almost entirely fictitious, and needing no awkward date stamp, this story draws a shocking parallelism from the circumstances surrounding the era of fear following the 9/11 attacks. And surprisingly, since it parallels so literally the Anglo-American response, it is as relevant here in Australia as in the US and UK.
I can’t say too much about it, lest I spoil it for you, but this is a great film, and you must go see it. That is all.
Foyer Talk 