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Vale Naoné Carrel

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Naoné Carrel and Elaine Noon in Calendar Girls, along with that amazing smile

My Facebook feed is awash this morning with tributes to the very deserving Naoné Carrel. I didn’t have the pleasure of knowing her as well as most of these friends did, but hers has been one of the faces that I have associated most closely with great nights in foyers and great moments in auditoria.

I met Naoné when she was President of Canberra Rep, and I had turned up early to a meeting of the Network of Amateur Theatre Organisations feeling rather like a very small fish in a very big pond. Her face beamed as she welcomed me and suddenly I felt like the pond was much smaller.

I had seen her on stage, of course, much earlier than that. I first saw her last century in The Dresser. And also while I was an undergrad I recall being enthralled with her performance in Death of a Salesman at the ANU Arts Centre.

The theatre community here is the richer for having had not only a performer of her calibre, but also an individual whose smile would light up the room. She will be missed.

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Naoné Carrel and Raoul Craemer in a promo shot from To Silence

For the big picture, here’s a sampling of reviews of Naoné’s shows:

 

 
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Posted by on Friday, 7 March 2014 in Canberra Theatre

 

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Five years of Foyer Talk

It surprised me to learn that I’ve now been blogging for five years. What started as a little spark from a conversation about the tendency of Canberra critics to make every effort to discourage artists has become a nice little part of my life.
Since I started Foyer Talk, The Canberra Critic has come and (it seems) gone, and the anonymous Guy Who Watches Canberra Theatre has started writing very encouragingly about his experiences. The venerable clique, Canberra Critics Circle, have started their own blog, which is a vastly more comprehensive dossier of theatre productions in Canberra than my own. And both the Crimes and WIN News have curtailed their involvement with theatre criticism.
And for me, Foyer Talk has become a most enjoyable journey. I have explored what really makes me respond in theatre and cinema auditoria, and I think this has improved my writing. I’ve done this well beyond our energetic little theatre community here in Canberra as well. People often respond positively, occasionally negatively, and in the last twelve months in particular I’ve engaged in some great discussions following my posts.
And the highlights of the last five years? There have been many, but the best definitely include:

  • Floating, with its amazing, engaging playfulness and remarkable story.
  • Ngapartji Ngapartji, which really draws us towards a truly national theatre
  • Another contribution to our national story, Faces in the Street, which really grounded some of the less palatable aspects of the Australian identity.
  • An exploration of my own identity and the influences upon my cultural adherences, in the brilliant The Perks of Being a Wallflower
  • One I have not stopped raving about, Animal Farm
  • A Korean version of Hamlet
  • Rep’s wonderful production of I Hate Hamlet (a statement I could never make!)
  • And of course The Goat, or Who is Sylvia?, the one that kicked off this little blog five years ago today.
  • So I hope there are a few of you out there who enjoy reading my abuses rants posts as much as I enjoy being at the theatre and writing about it. I certainly intend to do it for another five years. I just hope blogging stays as popular as it is now!

     
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    Posted by on Saturday, 13 July 2013 in blog

     

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