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Tag Archives: Geoffrey Rush

The King’s Speech

Don’t ask me why, but I’m a sucker for a title with a double meaning! Usually, though, they represent a pretty ordinary film, play or novel. In the case of The King’s Speech, the film is far more clever than its title.

Set in 1930s England, with the world on the brink of war, this is the story of an unfortunate chap with a speech impediment. Not a particularly big deal, perhaps, unless the unfortunate chap happens to be the king of a constitutional monarchy in which the only useful thing a king does is to speak to his subjects. In such circumstances, there is only one thing for it; run through the gamut of speech pathologists until you find one who has a bit of common sense. Such a personage, of course, would have to be an Australian. You just can’t make stuff like this up!

It’s true. The film, I mean; it’s a true story. And it’s not in any way dry or sombre or mundane as biographical films are prone to being; it’s a thoroughly engaging story, made all the more real by its heart-warming depiction of our queen in her childhood, her mother in her prime, and the relationships of this extraordinary family.

If you’ve not seen it, do so. If you don’t like it, you’re probably not human.

 
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Posted by on Saturday, 15 January 2011 in Bedlam Productions, British Film, Film

 

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Bran Nue Dae

Bran Nue Dae is a bit of a romp, but I’m not entirely convinced this film has survived some of its more irksome quirks. By and large the story sings, the direction is clear, and the cinematography is inspired, but a few lines of uninspired dialogue, a few missed beats, and the occasional diversion from the film’s primary mode of storytelling let down what is otherwise a light, unassuming comedy that would do the Australian film industry proud.
Ernie Dingo and Geoffrey Rush could be said to have saved this film. In the lead role is Rocky McKenzie, who can sing, but comes across rather wooden, even in singing mode. If it were a stage play, I would say it was over-rehearsed, but I’m not sure that’s possible with film. I would assume Jessica Mauboy was cast for much the same reason: her voice is spectacular, and this is one of the film’s redeeming features, but the moment she must speak it’s like she seizes up and loses all sense of her character. Missy Higgins is another actor who was surely cast for her musical talent, but whose performances as a character were charming, mesmerising and hilarious.
I don’t want to be too critical, because I actually really liked the film. It has a great story, some hilarious characters and scenarios, and some really great music. I just couldn’t quite relax into it.
 
 

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