RSS

Tag Archives: Lexi Sekuless

Much Ado About Nothing

Canberra’s sunsets are a little short for Shakespeare, but the timing was pretty damn near perfect for Shakespeare by the Lakes’ debut tonight.

A bright and committed team of enthusiasts have brought back Canberra’s outdoor performances of Shakespeare, and they should be commended for the way in which they galvanised the community and pulled together such a great performance.

The costumes are reminiscent of Kenneth Branagh’s 1993 film, and Izaac Beach’s Claudio is, astonishingly, even more cloying than Robert Sean Leonard’s from that same film. Lexi Sekuless is the standout, I feel: one of the most beautifully balanced Beatrices I’ve ever encountered, and she’s matched brilliantly by Duncan Driver’s Benedick.

I especially appreciate the way in which the space is used. In front of Tuggeranong Town Park’s rather sad little stage, the performers engage the audience with direct address, entering the performance space through the audience and even extending in amongst the picnic rugs at times. It’s an authentic and relatable way to treat the bard we so often revere but rarely embrace.

I did have some sympathy for the poor sound technicians: the wind picked up in the afternoon and the performers’ mics told us all about it. It was at times difficult to hear the voices, especially when, to minimise the problem, the operators turned the mics off and back on as required, frequently suffering a lag in reconnection.

It is a big decision in this context whether to amplify or not. The use of microphones, even when there’s no need to compensate for wind, kills a lot of expression, and it is difficult to recover. But in an outdoor space like this, amplification is sadly necessary. It doesn’t help that the ACT Government, despite investing substantially in outdoor performance venues, couldn’t even be bothered applying the technology perfected by the Greeks 2,500 years ago. A simple amphitheatre would eliminate the need for soul-crushing PA systems, but we’re stuck with flat auditoria like a people who have no access to the wisdom of ancient civilisations! /rant

Despite this difficulty, a talented cast certainly made the most of the the deftly-trimmed script, and gave an appreciative audience a show worthy of the investment made by the show’s sponsors. I hope to be enjoying Shakespeare by the Lakes for many years to come.

 

 

Tags: , , , , , , , , , , , , , , , , , , , , , , ,

Chess

I really must come up with a good reason why I don’t like follow spots and smoke. Normally my dislike of them doesn’t matter, but in the case of Chess, they use them right at the beginning, and they use them well! Why is this a problem? Well, if you don’t like follow spots and you don’t like smoke, but the first thing in the show is a follow spot and smoke, it distracts you from the show. It’s not a problem with a poor show, but unfortunately, The Q’s production of Chess is not a poor show, so I feel I need to justify my dislike of follow spots and smoke. One day, my prejudice will have a justification, but this is not that day. Chessis just too good.

Chess is, in many ways, poles apart from Krapp’s Last Tape, which I gushed about the night before, but it shares two important characteristics: it tells a remarkably human story, and allows an audience to engage in some depth with its central characters. That said, I think I missed some elements of that story, due to some distortion of Tim Rice’s lyrics. I am unsure whether this was a problem with enunciation or amplification, but I suspect the latter. Of course, putting such complicated sentence structures into lyrics was probably a bad idea in the first place, but in this instance it was not a fatal one, probably due to the talents of this magnificent cast.
The ensemble gathered for this production must be one of the best I have seen in Canberra, but they were not a patch on the magnificent talents of principals Stephen Pike, Christine Forbes and Lexi Sekuless. Even an old cynic like me felt goosebumps!
 

Tags: , , , , , , , , , ,

 
%d bloggers like this: