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The Book of Everything

book of everythingLet me just say this up front: there is nothing funny about domestic violence. However, if you don’t laugh all the way through this play, there’s something wrong with you! I would guess the only people not laughing would be abusers themselves, so maybe we should keep one eye on the auditorium during performances!

Canberra Repertory’s whimsical production of The Book of Everything is a magical piece of theatre that could transport someone of any age back to their childhood. The simple, very human joy of simply telling a story is not lost in the dark themes that emerge…

The rest of this post is published on Australian Stage.

 
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Posted by on Friday, 13 September 2013 in Canberra Repertory Society, Canberra Theatre, Theatre

 

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The Piano Diaries

I’m a sucker for an immigration story, and Joanna Weinberg’s latest offering, The Piano Diaries, starts with one, so I was engaged from the get go with both her story, and her intoxicating voice.

I know I commented on a recent post that I might not be a particular fan of cabaret, but this was marvellous. While The Piano Diaries doesn’t have a plot in the conventional sense, Weinberg’s autobiographical stories are wonderfully full of the froth and bubble of life, flowing from the joys of a child’s fascination with her parents’ happiness to the darkness of witnessing racial vilification. These stories, fragments of a life story, provide a backdrop for the seemingly-effortless grace with which Joanna engages her audience.

London-born Weinberg grew up in South Africa (yet another reason for my interest; stories of South Africa fascinate me) and much of the material for this show is inspired by her childhood and youth in South Africa, with much of the remainder relating to her migration experience in coming to Australia. The Winds of Fear explores this, with its humble reference to the South African migrant as the “privileged of the refugees”. The unique perspective of South African Australians on this topic is refreshing, and Weinberg’s stories really speak to the immense value of a diverse society.

Weinberg took joy in complimenting Tuggeranong, even likening its Town Centre to Florence, repeatedly! No compliment was received with anything less than a hearty laugh by Tuggeranongians, who apparently take much less delight in the simple beauties of a well laid-out urban entity. It is Weinberg’s simple delight in the varied experiences of her life that make this show so charming, though. It is wonderful to just hear stories gleaned from life experience that then translate so beautifully into song, and the articulation between story-telling and song is what makes this show really special.

If nothing else, I’m finally sold on cabaret.

 
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Posted by on Saturday, 30 June 2012 in Cabaret, Canberra Theatre, Theatre, Tuggeranong Arts Centre

 

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