The latest instalment from Made In Canberra, The Fridge is an amusing piece of work that manages to avoid the worst of predictability but doesn’t quite distinguish itself with dialogue that encourages the suspension of disbelief. With characters that all seem to say exactly what they mean all the time, there is not a lot of room for the cast to perform. The words take over, and even the best one liners fall flat.
The program and advertising makes reference to Monty Python repeatedly, and attempts to position the play as a continuation of this tradition. This may go some way to explaining the lack of subtext. Python was certainly capable of developing great characters with little or no subtext, but here it…
The rest of this post is published over on Australian Stage.