Director Garrick Smith is absolutely right to say that The Wedding Singer is not Shakespeare, but whatever it’s not, it is a lot of fun.
Category Archives: The Street Theatre
The Wedding Singer
Mrs Holt
Now, I’m not in the habit of commenting on shows that I’ve written myself, but I can paste here a transcript of Bill Stephens’ comments on Mrs Holt, which is one of my own shows, which is currently showing at The Street Theatre…
Canberra Dramatics are a local theatre group which is committed to the development of new plays by playwrights from the city of Canberra and the surrounding region.
Their newest production, which is currently running at The Street Theatre until next Saturday 16th August is Mrs. Holt…written by Canberra playwright Trevar Alan Chilver.
I went along to the opening night of Mrs. Holt last Thursday night and discovered a thoughtful, entertaining and engaging play – not so much about aging – which I might have expected given the setting is in a nursing home ward – but more about changing attitudes and expectations between the generations.
I particularly liked the performance given by Gay Evans as an irascible, old patient called – intrigueingly – Zara Holt …who is the subject of the play.
I have not seen Gay perform before, but she is obviously an experienced actress – who has the ability to wring every ounce of comedy – and pathos – from her role to invest it with depth and interest.
Pete Ricardo, as the male nurse Jack Harris, also impressed with a well judged performance…the other actors in the cast Sarah Daphne, Sarah Ritchie and Cerri Davis.
Staged in a simple – effective and appropriate setting, this is probably the best play I have seen so far from Canberra Dramatics.and although it would benefit from eliminating some of the long black-outs between scenes which allow the pace to drop seriously… if you are at all interested in local playwrighting it is well worth your time to get along and see it.
Mrs. Holt runs at the Street Theatre until next Saturday 16th August. You can find out details of performances and performance times by ringing the Street Theatre or visiting their website.
The Role Model
I was interested to see The Role Model not only because it was written by a fellow Canberran, but also because of the praise it had received from the great Edward Albee. It is usually a mistake to assume that you will enjoy something as much as you expect to when it gets such accolades. Who can live up to such expectations? The Role Model certainly didn’t.
That’s not to say it’s not a worthy production; it is a great story, deftly performed by a cohesive and talented cast. It’s just that the script didn’t deserve the praise I heard. Much of the dialogue is awkward, and it doesn’t help that the lead actor, Raoul Craemer, attempts to portray an elite Australian athlete without attempting an Australian accent. Don’t get me wrong, there were some fine and genuinely funny moments, but this talented cast were let down by often unconvincing dialogue, and a director who allowed them to pronounce every ‘T’ in the script, which lent the already awkward dialogue a foreign and unfamiliar tone, which is not conducive to comedic impact.
Overall, an entertaining show, but this story had the potential to move me to both laughter and tears, and it didn’t do either.
