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Tag Archives: Pete Ricardo

Avenue Q

I think it was family loyalty that took me along to Avenue Q. That, and some pretty high recommendations on Facebook and She Who Must Be Obeyed telling me to go see it while I still had the chance. Honestly, the idea of yet another bit of children’s pop culture being appropriated for the adult market just wasn’t appealing.

But in true Canberra musical theatre style, our ‘amateurs’ have redeemed a rather dry book and presented something truly spectacular. Technically, it was almost faultless. Apart from a few occasions when I couldn’t hear the words over the band, I was blown away by how great these guys sounded. And it was a tiny band too; all I could see were two keys, two strings and a hitter who had plenty of space to rattle about in the pit.

The kudos, though, goes to a great cast, most of whom had to learn to control two bodies rather than the usual one. And it was fun just to observe as an audient that at first I had to keep reminding myself to look at the puppet rather than the actor! In time they blended, which just made the whole puppet/puppeteer thing work so well. At least in individual scenes it did.

As a whole show, though, Avenue Q just doesn’t hold together very well. Whose story is this? What is it about? And why couldn’t they just pick a story and stick with it? There are some interesting characters here that really deserve better treatment! But that’s musical writers for you; most couldn’t see a story if it played itself out on a stage in front of them!

I think, really, Avenue Q is a musical trying to be cutting edge and funny at the same time. It only succeeds in the latter, and occasionally fails at that because it’s trying to be cutting edge. Does that make sense? Probably not, but I know what I mean. And whatever it’s failings, Supa‘s cast and crew have outdone themselves. I had a ball.

 
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Posted by on Wednesday, 28 September 2011 in ANU Arts Centre, Canberra Theatre, Supa Productions, Theatre

 

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Blood Brothers

There is an awful lot of speculation out there about the bonds between twins. Whether it’s about finishing each others’ sentences or remotely sensing trouble in each other’s lives, twins arouse a lot of speculation about whether certain behaviours are innate or acquired. Such speculations, I suspect, were part of the inspiration for Blood Brothers, now playing at The Q in Queanbeyan…

The rest of this post is published on Australian Stage.

 

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All Shook Up

All Shook Up is a take on Shakespeare’s Twelfth Night, in case you didn’t know. I knew, and I think I missed half the show trying to figure out which characters corresponded to which Twelfth Night characters. Why did I do that?
As we have come to expect from Supa, All Shook Up is a great show that doesn’t ask a lot of its audience. We joined the blue rinse set for today’s matinee. It’s not normally a good idea to go to a matinee, the audiences are usually a bit flat, and the performers suffer for it. This was probably true today, and yet what struck me was the technical precision displayed by the cast. Under the musical direction of Garrick Smith, the principal cast gave stunning performances of many of Elvis Presley’s most popular songs, supported by an equally impressive ensemble.
It was a great show, although not a patch on Supa’s recent productions of Buddy. It could have something to do with the music, but I think maybe I’m just a little too young to appreciate it the way the rest of the audience, who were mostly twice my age, did. It’s a good show, but for my tastes it needed a little less sugar.
 
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Posted by on Saturday, 23 May 2009 in ANU Arts Centre, Canberra Theatre, Theatre

 

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Mrs Holt

Now, I’m not in the habit of commenting on shows that I’ve written myself, but I can paste here a transcript of Bill Stephens’ comments on Mrs Holt, which is one of my own shows, which is currently showing at The Street Theatre…

Canberra Dramatics are a local theatre group which is committed to the development of new plays by playwrights from the city of Canberra and the surrounding region.

Their newest production, which is currently running at The Street Theatre until next Saturday 16th August is Mrs. Holt…written by Canberra playwright Trevar Alan Chilver.

I went along to the opening night of Mrs. Holt last Thursday night and discovered a thoughtful, entertaining and engaging play – not so much about aging – which I might have expected given the setting is in a nursing home ward – but more about changing attitudes and expectations between the generations.

I particularly liked the performance given by Gay Evans as an irascible, old patient called – intrigueingly – Zara Holt …who is the subject of the play.

I have not seen Gay perform before, but she is obviously an experienced actress – who has the ability to wring every ounce of comedy – and pathos – from her role to invest it with depth and interest.

Pete Ricardo, as the male nurse Jack Harris, also impressed with a well judged performance…the other actors in the cast Sarah Daphne, Sarah Ritchie and Cerri Davis.

Staged in a simple – effective and appropriate setting, this is probably the best play I have seen so far from Canberra Dramatics.and although it would benefit from eliminating some of the long black-outs between scenes which allow the pace to drop seriously… if you are at all interested in local playwrighting it is well worth your time to get along and see it.

Mrs. Holt runs at the Street Theatre until next Saturday 16th August. You can find out details of performances and performance times by ringing the Street Theatre or visiting their website.

 
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Posted by on Monday, 11 August 2008 in Canberra Theatre, The Street Theatre, Theatre

 

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