RSS

Category Archives: Unpredictable

Dickless

I’ve managed to get to nine theatrical performances as part of Midsumma this year, which is more than I’ve managed in the past… and although I’ve enjoyed all of them on one level or another, none have wowed me quite like Justin Sider’s Dickless.

Perhaps there’s an element of novelty: I’ve seen drag kings perform in a few places, but this is the first feature show I’ve seen from any drag king. And he did the one thing I love to see drag artists doing more than anything else: their own vocals! But in essence, the wow factor here is, quite simply, balance.

On face value, Justin Sider’s show sits neatly into the farce category… it is light and hilarious, and features a contiguous plot with no extraneous filler or diversion. He maintains a consistent character who is likeable and instantly engaging, and he draws the audience into the farcical scenario—of a competitive lap dancer who misplaces his penis—with witty and relatable humour that is at once crass and wonderful. No small achievement there. But the beauty of this is that it packs (if you’ll pardon the pun) into this farcical story a simple and digestible moral: that it is ok to be dickless.

The resulting affirmation, delivered with a little pathos and lashings of hilarity, is absolutely uplifting in every way.

Sadly, it appears the show has finished its current run, so if this is the first you’ve heard of it, you’re too late… the last performances I can find are in Albany WA… which, frankly, may be worth the four day drive!

 

Tags: , , ,

Salmon Fishing in the Yemen

Seems to me one of the most common accusations levelled at some films is that they’re predictable. And of course they are. Most films are made to be sold, and sold within a particular genre. Salmon Fishing in the Yemen deftly avoids such categorisation, and is one of the best character-driven films I’ve ever seen.

Of course the problem faced by film makers who choose material like this is how to sell it. Having seen clips for it, I mostly dismissed it, and only made the effort to see it when I had just seen a whole bunch of films and wanted another. It was not my first choice, but of all the films I’ve seen this week (and I’ve seen a lot more than usual this week), this was the best.

The story is centred on a couple of public servants who find themselves at the centre of an exercise in international relations. Emily Blunt plays a consummate professional who has mastered the art of eternal optimism. And Ewan McGregor plays an infinitely more staid and predictable realist. These two find themselves pursuing the whimsical dream of a Yemeni Sheikh, played engagingly by Amr Waked, to introduce the sport of Salmon fishing to his dry homeland.

The story charts an unpredictable course through the ups and downs of the project, but along the way the central characters, even the Sheikh to some extent, become intensely human as they navigate life. It sounds corny, I suppose, but this really is an intensely human story, with all the pathos you could wish for, and none of the schmaltz. How screenwright Simon Beaufort and novelist Paul Torday managed this, I don’t know, but I take my hat off to them. I wish I could be relied upon to write like that.

Salmon Fishing in the Yemen has become one of my favourite films, just like that.

 

Tags: , , , , , , , , , , ,

 
%d bloggers like this: