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Tag Archives: La Mama

Virginia and Some of Her Friends

virginiaLa Mama’s Explorations series is a season of new and often experimental works that challenge theatrical boundaries and process and explore new ideas.

Virginia and Some of Her Friends is one of this year’s offerings, and while it is not especially innovative in style, it does combine theatrical techniques that are not often seen in harmony.

This piece sits somewhere between the musical and the play with music. Like a musical, the songs deliver a substantial component of the character and some plot. But like the play with music, the songs jar, altering the flow of action and realigning the audience’s attention not unlike Brecht’s verfremdungseffekt.

As for plot, there is little…

The rest of this post is published on Australian Stage.

 

 
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Posted by on Monday, 11 November 2013 in La Mama, Melbourne Theatre, Theatre

 

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Fag Boy and the Married Guy

fag_boy_covFew theatre-goers will struggle to relate to the experiences of bullying the protagonist of Fag Boy and the Married Guy recounts for audiences at La Mama over the next few days. This is a strongly developed story that explores – not terribly subtly – both bullying and the gay dating scene.

Now an adult living the dream with a great job, great house, and the means for a business-class tour of Europe apparently, William arranges a rendezvous with…

The rest of this post is published on Australian Stage.

 
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Posted by on Thursday, 17 January 2013 in La Mama, Melbourne Theatre, Theatre

 

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The Hamlet Apocalypse

I think Dionysus was smiling on me when I rocked up at La Mama tonight without a booking. And to be within those hallowed walls was, as always, a humbling experience. The Danger Ensemble‘s The Hamlet Apocalypse illustrates beautifully the human inclination to cling to what we know when facing what we fear.

Director, Steven Mitchell Wright, says that “this work is very simply about a group of actors choosing to perform William Shakespeare’s Hamlet in the face of the apocalypse, the end, death, finality, loss, whichever it is for you”. And while there is an element of simplicity in its performance, there is nothing simple about the way these actors face their apocalypse. Rather, there is an understanding and intense depiction of the very human emotions of fear, anticipation and determination.
Shakespeare’s Hamlet is the perfect partner for this story, and its broad plot arc has been deftly interwoven with these actors’ story. The cast delivers Shakespeare’s dialogue with aplomb, and I may well have wanted to see them simply do Hamlet, were it not for the fascinating development of the actors’ characters. As the cast counts down to the apocalypse, their own fears, insecurities and personalities render some of Shakespeare’s most profound characters dull by comparison with these performers, whose experiences resonate spectacularly in La Mama’s confined space.
 
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Posted by on Friday, 9 October 2009 in La Mama, The Danger Ensemble, William Shakespeare

 

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