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Tag Archives: Patricia Cornelius

Do Not Go Gentle

Seeing Do Not Go Gentle was an experience. Not just because it’s a great show, but because I got the opportunity to meet Patricia Cornelius, the play’s writer, before the show opened. That, and the fact that fortyfivedownstairs is a fantastic venue with more character than a Shakespearean king.

Equally admirable were the performances of a fantastic cast, admirably lead by Rhys McConnochie, all bringing their characters to life in a way that should connect with audiences of all ages.

Freezing my way through a show is not normally my idea of fun, but it’s highly appropriate for Do Not Go Gentle, which focuses on Scott’s unsuccessful attempt to plant an Australian flag at the South Pole before the Norwegians got theirs there. And while fortyfivedownstairs may have been a bit of a cold place on the night, the lives of its characters are just as cold, but with a warmth that makes it all worthwhile.

The thing I enjoyed most about this play was its insistence that life is for living, a thesis well worth remembering on a cold Winter’s night in Melbourne.

 

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The Berry Man

I’ve never really liked stories about the Vietnam War. They have a tendency to either be so factual that they’re dead boring, or so esoteric that they’re unrelatable to anyone who didn’t live through that time. Patricia Cornelius has deftly sidestepped both potential faults in her heartwarming play, The Berry Man.

The rest of this post is published on Australian Stage.

 

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Dreams, Visions and Constipated Old Farts

Images of an ageing Ghandi flit through my mind occasionally. They’re a cliché for political activism, akin to the image of Martin Luther King Junior’s infamous proclamation, “I have a dream”. These are epic images, and Ghandi’s in particular speaks of a life well-lived, and spent on something worthwhile. For the rest of us, our dreams—whether they’re as big as Ghandi’s or not—have a very tenuous relationship with the realities of our lives, but paradoxically these same dreams are usually the driving force in what an individual manages to achieve.

The rest of this post is published on Australian Stage.

 

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